Julije Knifer

Since I’ve written about banal formalist modalities a couple of times recently I figured three times is the trick? Croatian artist Julije Knifer responded to the post-revolutionary socialist aestheticism (asceticism?) of the ’50s and ’60s “with black irony, riffing on geometric abstraction in “anti-paintings” characterized by a deliberately meaningless monotony.”

#julijeknifer

Author: sterlingsart

abstract painter living in Raleigh, NC- follow my blog to help build my mailing list!

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