was surprised to see when blogging about Helen that I hadn’t yet touched on Judy’s work (she is also in Destination Earth). There’s often recognizable… stuff in Judy’s work (here is Hyperallergic on Real and Imaginary from last Fall). Sort of like Liz and Jessica. Readers who like this sort of maximalism will also like Sarah’s work.
#judypfaff
has work in Beauty is a Blast (which celebrates the late Jeremy Gilbert-Rolfe) at Art Cake.
#russellmaltz
Since the early 2000s, his vibrant animations have explored the aesthetic and conceptual possibilities of code, treating it as if it were paint. an innovator in the realm of Internet-based art, Rozendaal’s goal is for us to experience a state of immersion so complete that it becomes one with our physical world. His work will be shown at MOMA through this Spring.
More
#rafaelrozendaal
is interested in the connection between process and material, and the way this relates to image and form in space. Using elements of nature – skin, hair, plants and animals- is the initial inspiration in her work.
#josefinaconchae
is an artist born in Chile, based in Miami. She works mostly on sculpture and installations with found objects, ceramics and fiber.
More (if you like, check out Liz and Zippora).
#denisetreizman
Isabella Marie Garcia at Burnaway reviews the distillations of nature and visual ekphrasis located throughout the installations in Of what surrounds me at The Patricia and Phillip Frost Art Museum at Florida International University, which includes images and words about some of Mette’s large scale work.
More
#mettetommerup
Maren Hassinger (born Maren Louise Jenkins in 1947) is an African-American artist and educator whose career spans four decades. Hassinger uses sculpture, film, dance, performance art, and public art to explore the relationship between the natural world and industrial materials.
#marenhassinger
like Chie gets a nod from Two Coats for constructDEconstruct at AIR in their newest NY gallery guide. Born of the interplay between solitary workings in her studio, the push-pull of her personal life, and the ongoing turmoil of the outside world, Dubinsky’s new work combines maps and silhouetted figures with abstract shapes created by flattened boxes using painting, printmaking, alternative photography, and sculpture on paper and metal.
#yvettedrurydubinsky
Carlos Nunez reviews the invisible data and material preservation found in Rose Salane’s Fission or, Eclipse at The Athenaeum at the University of Georgia for Burnaway.
#rosesalane
is an artist working in Boston and a Fine Arts Assistant Professor at Brandeis University. A through-line in her practice is the artist’s investigation into the ways that language is learned, shared, and adapted through processes of fragmentation and multiplicity. She was recently in Between Pixel and Pigment with Jacqueline and others.
#soniaalmeida
Antunes’ practice provides a unique contemplation on modern art, architecture and design through a reinterpretation of sculpture in a given space. Inspired by important figures in the realm of creation in the 20th century, and often influenced by female protagonists, her work begins by measuring features of architecture and design that interest her. She then uses these measurements as units which can be translated into sculpture.Embracing traditional craftsmanship from around the world, she employs materials such as rope, leather, cork, wood, brass, and rubber to create unusual forms.
#leonorantunes
Painting After Art is Dead 