was my neighbor for a second when I was on sabbatical– he recently showed at Rice Polak.
#lainardbush
Lainard Bush
Tag: graphicpainting
Ian Welch
Continuing with my favs from Artfields…
About this installation, Ian says “Crosscut (Log-pile), is a reflection on one of the most quietly obvious signs of human incursion in the natural world: a crosscut tree stump. By utilizing brightly colored handmade paper and neon gel pens to produce the drawings, I am drawing attention to the artificial and unnatural state of the remnant of an individual tree. All images are sourced from either on-site observations and photographs, or from cross-sections of trees recovered after a large culling of forested areas throughout the Lowcountry of South Carolina; the paper itself is mostly from the same species of trees depicted in the drawings.”
#ianwelch
Ding Yi
Alfred Jensen
is the inspiration for The Apex is Nothing at Pratt Manhattan which features Xylor and others.
Alfred studied painting at the San Diego Fine Arts School and in Munich under Hans Hofmann. After moving to the United States in 1934, his patron Saidie Alder May encouraged him to pursue his interest in color theory and pattern.
#alfredjensen
Stanford Kay
Richard Paul Lohse
was a Swiss painter and graphic artist and one of the main representatives of the concrete and constructive art movements along with Max and others.
#richardpaullohse
Angela Heisch
In Angela Heisch’s abstract paintings, deep blues and warm taupes swirl together in bold spirals of light and dark, hard edges and soft gradations. Her enigmatic forms resemble slices of plants, flowers, living beings, and even the cosmos; they vibrate with energy that’s both familiar and otherworldly.
#angelaheisch
Kelly Ording
Based in Oakland, CA, Kelly Ording has exhibited her work both in the U.S. and internationally since graduating from the San Francisco Art Institute in 2000. Her paintings carry a moving motion, from the lines she draws that have no ending or beginning to the water marks of coffee she uses to dye the paper or canvas.
#kellyording
Michael Hambouz
gets a mention by Two Coats of Paint in their Hudson Valley (and vicinity) Selected Gallery Guide: March 2024 for “Loves Cats, Hates Catastrophes” at Elijah Wheat Showroom. He likes to play with language and optics and is not always dedicated abstractionist- Hambouz’s delicately crafted works of art, infused with an autobiographical element, break a mold of surface and allow viewers to see differently.
#michaelhambouz
Arthur Brouthers
Arthur explores the mystery of consciousness as well as the marriage of physical bodies & spiritual energies of humans, animals, and nature. In his figurative works, various techniques are used as bottom layers or the “skins” of his subjects. He applies anywhere from 4 to 15 layers of clear resin between layers of acrylic paint, cut paper, pigmented inks, and spray paint to show depth, creating a 3-D effect. His artistic process is a modern alchemists’ dream, involving years of careful experimentation to perfect and achieve.
#arthurbrouthers
Antwan Horfee
Guillaume Dénervaud
Hyperallergic said Guillaume’s Ozone Station is one of several shows to see in NYC this November. Anchored by a sequence of gateway-like paintings, Ozoned Station features visions of systems and environments that collapse distinctions between the organic and the built, the microscopic and the galactic
#guillaumedenervaud
Harold Granucci
Art Sales and Research has recently brought our attention to Harold (1916-2007). He completed his four-year college degree in three years at Quinnipiac College in the 1930s. He worked for Wallace Silversmith’s as an accountant and then opened his own accounting practice in the late 1940’s. In 1953 he opened a furniture store in Wallingford, Connecticut. His ledgers and journals were like works of art, they were so detailed and meticulously written in pencil. Harold retired in 1979 and acquired a Texas Instruments calculator as a premium from a local bank. He began to use it for various calculations and one thing led to another and soon he was back to his early love of geometry and mathematics.
#haroldgranuchi
Jane Lackey
Hyperallergic said Lackey’s “cut paintings” which were in Openworks at Pie Projects (Santa Fe) “bring to the forefront the often invisible or rarely acknowledged experiences of connection.”
#janelackey
Painting After Art is Dead 