Has a solo show up at The Shed. Below is older work and see her site for more.
#howardenapindell

(who is no longer with us) is featured in Expanded Painting at the Philly Museum of Art.
#dorothearockburne

Artforum notes that Galerie Lelong & Co. is presenting “Throughlines: Assemblages and Works on Paper from the 1960s to the 1990s,” a selection of works by the late artist. Her Wood Pictures began in New York and further developed in Düren, Germany during Thompson’s self-imposed exile.
#mildredthompson

Is one of the artists featured in Artsy’s Portrayals of Black Community (I first saw her at the last Armory Show)
#juneedmunds

I have known about Jason Moran’s work as a jazz musician and written about what I see as a major similarity between abstract paintings and jazz (that modality and content are one and the same). Apparently he feels that in some sense, since he makes abstract paintings himself. 
#jasonmoran
Hyperallergic says we should pay attention to the rich, vibrant worlds Thornton created during his time with us (spoiler- not all of them are abstracted).
#thorntondial

Harper’s Books announces Violet Paintings for the Red and Blue Studio, Los Angeles-based artist Spencer Lewis’ first solo exhibition in New York City (a selection of eight new paintings).
#spencerlewis

Like Agnes is an up and coming artist hailing from the continent of Africa (her home is Zimbabwe).
#amandashingiraimushate

Posting about Rosie recently made me realize that I should look into the quilting “movement” from Gee’s Bend. This article has some more context on the medium’s recent impacts.
#anniemayyoung
(also, and, for those interested in movements in material art here’s the post I did on the women of Bauhaus)


Artforum notes an online solo exhibition at White Cube of recent jute sack paintings by Ibrahim Mahama. “In these works, Mahama continues his interrogation of the principle that by engaging with the failures of the past it is possible to ignite new value systems for the future. By so doing, there is the potential to engender economic change that would lead to labor reforms. Produced in his native Ghana with the help of “collaborators,” the jute sacks from which the paintings are created point to histories of trade and commerce and the personal stories of their handlers…”
#ibrahimmahama

#jamisoncarter
