Juan Uslé

(Galerie Lelong says) Juan Uslé is widely recognized for vivid paintings and works on paper that engage the viewer through entrancing rhythmic patterns that exist in a dual state of being: embracing repetition while practicing singularity. Sourcing inspiration between memories lived and dreamt, these patterns can be evocative of the vibrations and movement of bustling New York City, where he lives and works for part of the year; echo the fluidity of bodies of water and unique sequences found in nature; or serve as a transcript of real time through a filmstrip-like recording of the artist’s heartbeat.

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Francisco Masó

Luis De Jesus just presented Francisco Masó: Documentary Abstraction, the Cuban conceptual artist’s first solo exhibition in Los Angeles. The exhibition brings together new works from Masó’s ongoing series Aesthetic Register of Covert Forces. The series establishes a catalog and archive of acrylic on canvas paintings which serves as an abstract geometric guide for identifying the forces of power within a state control apparatus while simultaneously generating discourse on the militarization of Cuban civil society.
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Pierre Obando

Michael Brennan notes of Pierre’s paintings, made between 2021 and 2025, in “Some Kind…,” that while his imagery is for the most part recognizably organic it is not easily decipherable, and draws some lovely parallels to Matisse (which makes me think of Josef) although they remind me more of Diebenkorn.
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Soledad Salamé

(who shows with Goya Contemporary Gallery in Baltimore, and whose work is not all abstract) says her art is a conceptual and visual exploration of the intersection of science, technology, and social justice issues defining the age in which we live. Engaged with the political implications of environmental issues, my recent work maps vulnerable marginalized communities suffering the greatest consequences of natural disasters.
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Rafaël Rozendaal

Since the early 2000s, his vibrant animations have explored the aesthetic and conceptual possibilities of code, treating it as if it were paint. an innovator in the realm of Internet-based art, Rozendaal’s goal is for us to experience a state of immersion so complete that it becomes one with our physical world. His work will be shown at MOMA through this Spring.

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