Rocío Sáenz

(From Iron Gallery in Chicago) With a career defined by experimentation and spatial exploration, Rocío Sáenz transforms her experiences into an artistic proposal that challenges boundaries. Her work has been exhibited across the Americas, Europe, and Asia, earning her accolades such as the Chihuahua Award in Arts and Sciences and the Pedro Coronel Painting Biennial. More

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Germán Tagle

(From Aninat Galeria) In the crossroad where fiction and history meet, German Tagle has established a place of observation with the intention of catching in his paintings those narrative fragments that allow us to reread the territory where our main cultural icons lie, this is to say, all the output of diverse images taken from paintings, of advertisement, movies, anyplace we can recognize without even being sure we have even really seen it.

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Juan Uslé

(Galerie Lelong says) Juan Uslé is widely recognized for vivid paintings and works on paper that engage the viewer through entrancing rhythmic patterns that exist in a dual state of being: embracing repetition while practicing singularity. Sourcing inspiration between memories lived and dreamt, these patterns can be evocative of the vibrations and movement of bustling New York City, where he lives and works for part of the year; echo the fluidity of bodies of water and unique sequences found in nature; or serve as a transcript of real time through a filmstrip-like recording of the artist’s heartbeat.

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Francisco Masó

Luis De Jesus just presented Francisco Masó: Documentary Abstraction, the Cuban conceptual artist’s first solo exhibition in Los Angeles. The exhibition brings together new works from Masó’s ongoing series Aesthetic Register of Covert Forces. The series establishes a catalog and archive of acrylic on canvas paintings which serves as an abstract geometric guide for identifying the forces of power within a state control apparatus while simultaneously generating discourse on the militarization of Cuban civil society.
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Pierre Obando

Michael Brennan notes of Pierre’s paintings, made between 2021 and 2025, in “Some Kind…,” that while his imagery is for the most part recognizably organic it is not easily decipherable, and draws some lovely parallels to Matisse (which makes me think of Josef) although they remind me more of Diebenkorn.
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Soledad Salamé

(who shows with Goya Contemporary Gallery in Baltimore, and whose work is not all abstract) says her art is a conceptual and visual exploration of the intersection of science, technology, and social justice issues defining the age in which we live. Engaged with the political implications of environmental issues, my recent work maps vulnerable marginalized communities suffering the greatest consequences of natural disasters.
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