Awilda Sterling-Duprey

For Burnaway’s series CRUSH, Michelle Santiago Cortés details the dance-drawings and improvisational mark-making of Awilda Sterling-Duprey. Throughout her decades-long career, Sterling-Duprey has paid close attention to how movement appears in painting and how dance lends itself to its own kind of painterly gesture. She has distilled elements of both disciplines to their constituent parts, which can be broken down into kinds of information: visual, spatial, tactile, sonic, and so on.

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Martha Jungwirth

Michael Brennan at Two Coats gave Martha a lot of words in his Letter from Venice Biennale. Click on the links and read the whole thing (Jeffrey and Willem get mentions). Jungwirth (b. 1940, Vienna) has likened her artworks to a diary that traces her physical engagement with the creative process. She sees her drawings and paintings as dynamic extensions of herself, where intelligent structures of lines and blotches emerge, propelled by her emotions and movements.

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Gabriel Mills

Saw below during a recent trip to the High Museum in Atlanta. Gabriel is interested in abstraction as a mode of painting that offers an open-ended forum for posing questions about the nature of his everyday experience as a Black artist. For Mills, abstraction represents a rebellious way of approaching marginalized and countercultural political ideologies through unencumbered expressivity.

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