Rebecca Pempek

is a recent MFA recipient from UNC. Her most recent painting and printmaking work utilizes her pelvic MRI scans to interrogate the history and mythologization of female pain. By layering and abstracting 17th-century reproductive anatomical illustrations with fauna imagery and gestural mark-making, she reclaims agency over the narratives of chronic pain.

More

#rebeccapempek

Catherine Goodman

For London-based artist Catherine Goodman CBE, drawing and painting are meditative acts, whether performed in the silence of her studio or the landscapes that call her back time and again. She infuses her practice with inspiration gleaned from poetry, film, travel, and memory. Goodman and Ann C. Collins at Brooklyn rail met over Zoom to talk about Silent Music, Goodman’s exhibition at Hauser & Wirth that presents large-scale abstract paintings that pulse with her expressive brushwork and vivacious use of color.

More
#catherinegoodman

Julia Kunan

Sheila Pepe says Kunin’s most recent work has a clear affinity with the specific craft traditions of the Austro-Hungarian regions, a second home. Influenced strongly by the aesthetics of Middle Europe, at first
glance Kunin’s ceramics seem in tune with the syncopated, metallic
compositions of Gustav Klimt. However, all kinds of painterly effects.

More

#juliakunin

Michaela Yearwood-Dan

Throughout paintings, works on paper, ceramics, and site-specific mural and sound installations, Michaela Yearwood-Dan (b. 1994; London, UK) endeavors to build spaces of queer community, abundance, and joy. Yearwood-Dan’s singular visual language draws on a diverse range of influences, including Blackness, queerness, femininity, healing rituals, and carnival culture.

More

#michaelayearwooddan

A’Driane Nieves

A visual artist and writer, A’Driane Nieves is a U.S. Air Force veteran and a self-taught painter. At the urging of her therapist, she began painting as a form of art therapy in 2011 during her recovery from postpartum depression and following her later diagnosis of bipolar disorder. This initial experimentation led to her using Abstract Expressionist painting styles as a way to overcome the impacts of childhood abuse, specifically emotional suppression. Influenced by Joan Mitchell, Cy Twombly, Bernice Bing, and early Black abstract painters ranging from Alma Thomas to Mary Lovelace O’Neal.

More

#adrianenieves