uses fabrics and textile based processes to create large-scale work- she is interested in inserting color and form into built and natural
environments.
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#rachelbhayes

Saw below recently in Something Earned, Something Left Behind at the Center for Craft in Asheville. Sok’s piece speaks to the traditional Cambodian craft of Pidan silk weaving as an act of resilience. Pidan were highly regarded in particular by French colonial archivists, and as a result there have been ample attempts at documentation, collection, and restitution of the cultural practice through its collection into museums or in the reconstruction of textile pieces funded by organizations outside Cambodia. As a result, these objects have become decontextualized and are visible only to people in museum spaces.
By placing contemporary imagery of the artist’s family onto a culturally sacred object, Sok offers a nuanced way of approaching the traditional weaving practice as an act of healing from familial and cultural trauma.
#lindasok

was part of a recent symposia at CSU Long Beach that explored contemporary topics in abstraction through presentations by keynote speakers and panel discussions focusing on abstract visual art and its relationship with indigeneity, materiality, and ecology.
#melissacody
is a fantastic artist working in textiles, and is also a historian, podcaster and author.
#ferrengipson

Artsy says Ilma is one of 10 women artists shattering expectations feminist art. She lives in the remote Anahobehi village (Gora) in Ömie territory, a five-day trek up the volcanic slopes of Mount Lamington, Papua New Guinea. It was there that London-based gallerist Rebecca Hossack first met the Indigenous artist and encountered her textile paintings on nioge—or fine-grained, beaten cloth made from the inner bark of mulberry or fig trees—that Savari stitches additional details on top of with a superfine bat wing bone.
#ilmasavar

gets a nod from Hakim Bishara in their write up on the most recent addition of Armory Show– Mexico City-based, Aurora’s tapestries are made of used plastic bags or dyed wool woven into agave fiber nets (Istle).
#aurorapellizi

Megan is a Janet and Walter Sondheim Art Prize Finalist —an exhibition is being held at the Walters Art Museum in Baltimore, Maryland.
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#megankoeppel
