William Lawrence Compton Kolawole

doesn’t yet hold the esteem attributed to peers like Sam Gilliam and Betty Blayton (although he was included in Something to Look Forward To). Most information on the internet about his work is short bios from auction sites (example). Kolawole lived in Munich in the 1960s before returning to the U.S. His work has been included in a number of museum exhibitions in addition to Something… (which took place at the Morris).

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Haywood “Bill” Rivers

Haywood “Bill” Rivers was born in 1922 in North Carolina. He studied at the Art Students League in New York and the École du Musée du Louvre in Paris. His work saw considerable success, winning the Gretchen H. Hutzler Award, the Baltimore Museum Annual Prize, and Julius Rosenwald Fellowship in 1948, as well as the John Hay Whitney Fellowship in 1952. Rivers was a co-founder of Galerie Huit in Paris. The cooperative gallery exhibited many American artists including Paul Keene, Edward Clark, and Herbert Gentry.

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Emam Gbewonyo

is a British-Ghanaian artist and curator living in London, and is the founder of the Black British Female Artist (BBFA) Collective – a platform that supports Black women artists. Gbewonyo studied BA European Textile Design at Bradford School of Art and Design and began her career as a knitwear designer in New York. Following six years in the industry, redundancy prompted her return to the UK and subsequent career change. Her art practice investigates identity, womanhood in particular, whilst advocating the healing benefits of craft.

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Alteronce Gumby

says they are “drawn to works that were given a lot of attention to details. The devil is in the details. It’s in the color composition or orientation of the work or the clever use of contrasting materials that look or feel very seamless.” His artistic practice includes painting, ceramics, installation, performance, and film.

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