Arlene Shechet

Storm King Art Center recently opened the exhibition Arlene Shechet: Girl Group, which brings together the artist’s recent work in wood, steel, ceramic, paper, and bronze with six new monumental sculptures created for the center which harness the expressive power of geometry, line, color, and form in works displayed across Storm King’s hills, fields, and galleries.

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Ben Dallas

paints on delicate wood constructions and assembled materials such as layered canvases. The mysterious design and the three-dimensionality of his works invite the viewer to spend time with the pieces, looking for marks, chromatic shifts, delicate lines, wax layers, and unexpected folds. Pie Projects (which also shows Sam and Richard) represents him.

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Vasa

For EXPO Chicago, Taylor Graham staged an exhibition (which included works by Vasa, or Vasa Mihich) noting that “it is fascinating to explore the commonalities and differences among paintings and sculptures encompassing a range of mid-century into the 21st century abstract styles, including hard edge, stain, Light and Space acrylic sculpture, synchromist inspired, and kinetic sculpture.”

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Agnes Denes

is one of several artist included in Abstraction after Modernism: Recent Acquisitions which highlights work made by succeeding generations of artists who forged new paths in their approaches to non-representational art. Agnes work while non-figurative is much closer to the lineage of conceptual art than abstract painting or sculpture.

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Charlotte Posenenske

Curator Alexis Lowry traces the playful quality of Charlotte’s sculptures, drawings, and photographs, illuminating their connections to her Minimalist contemporaries along with broader socio-political concerns on Dia’s blog in the context of “Charlotte Posenenske: Work in Progress” which he curated.

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Lynne Harlow

Lynne’s most recent (2023) show with Minus Space (home to Michael and Gabriele among others) was Lodestar, a new group of monochromatic objects intended to anchor and orient us in the world. Created from found rocks collected in personally significant locations, these pieces engage our surroundings through a lens of color-based and material-based reduction and a commitment to the power of monochrome.

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Cris Gianakos

(from the 2019 essay This strange, intoxicating “Almost Nothing” by Yorghos Tzirtzilakis) In discussing the work of Cristos Gianakos one can only start from reconsidering a question: what is the current meaning of that form of contemporary art most people call ‘minimal-ism’? In this case minimalism does not stop at a sketchy, formalized, rational version or at a belated celebration of ‘littleness’; instead it goes on to a dispersion which is, in fact, in tune with the character of our times and our culture.”

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Carl Andre

It often surprises and pleases me* when I discover I’ve not yet blog about an artist who is clearly canon (*my pleasure derives from the affirmation of my focus on what is happening today). It is with sadness that I have discovered Carl’s omission only open his obit in Artforum. As they so eloquently put it’ “Andre created works whose stark simplicity evoked deeply primal emotions, and whose modest makeup frequently sparked controversy, as detractors carped that his piled, strewn, or carefully laid-out groupings of humble objects could not possibly comprise artworks.”

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Bianca Beck

So apparently I’m not the only curator to think Extra Spectral is a great exhibition title. (The other) Extra Spectral was a collaborative exhibition at Space 538 between Bianca and Sascha Braunig, both artists whose individual practices investigate power, the body, and transformation (might go without saying given that description that Bianca’s work has strong and occasionally overt references to the body, so not “pure” abstraction for sure).
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