Klaus von Nichtssagend recently presented Herlads, Kemar’s second exhibition with thr gallery, including work which is building a visual patois and at its foundation lies heraldry, a system of motifs compiled to identify and evoke the histories and legacies of the family. Assuming this tradition for his own, Heralds presents a suite of paintings centering on his parents, Grafton and Ionie Wynter-Bolden, and the dishes tethered to his childhood apartment at 770 Empire Boulevard, in Brooklyn.
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Painting After Art is Dead 