has actually been mentioned here before, when he wrote for TUSSLE Christopher. They’re also a good writer: (from his statement) “Abstraction, now more than ever, has become an exercise in painting in tongues, pulling both painter and viewer toward a practice of highly idiosyncratic systems of signs, and paradoxically seems to be at the moment one of the best tuned visual instrument to explore our diverse commonalities.” He is one of the ten artists Saul Ostrow included in Building Models.
More (yeah I know, they’re pretty fantastic)
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Painting After Art is Dead 