Sharon at Two Coats notes a major shift in Paul’s work evident in a (posthumous) exhibit at Garth Greenan. She notes that today when artists work freely across all mediums and platforms, “the measured boundary-crossing that Feeley undertook in the 1960s may seem quaint. Still, there is something durably refreshing about his conviction, then iconoclastic, that undulating lines and shapes could convey a robust sense of humanity, and that even hard-edge geometric shapes could convey emotional content.”
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Painting After Art is Dead 