Margaret Saliske

In her newest work, Margaret imagines a shape and then works it out against the wall altering it perhaps the way a potter manipulates clay pushing and pulling angles. The form then suggests how the black will interact with it and connect it to the wall. In some of the pieces there is a visual sequence that moves from object, to actual plane, to implied plane. There is an ambiguity in the relationship between these planes that the viewer resolves by moving around the pieces.

Author: sterlingsart

abstract painter living in Raleigh, NC- follow my blog to help build my mailing list!

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