Hebert described his work as “detalled projections in two dimensions of our complex multi-spectral reality.” Inspired by the geometric weavings of German textile artist Anni Albers (1899-1994), he began to explore computer programming in the creation of art in the early 1970s. Eventually Hébert pushed the boundaries of complexity, pursuing, he wrote, “an ideal of beauty and ideal Platonic forms, inspired by my interests in patterns of geometry, mathematics, physics, land] nature.” Saw below in Coded at LACMA. More
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Painting After Art is Dead 