From 2018 until 2024, I relied for my paintings on an automatic drawing system utilizing interconnected cubes (which also eventually evolved into installation work). In 2022 I began utilizing shaped canvases and also began titling work, including experimenting with Chapt GPT to generate some very Modernist names for some of these objects. This body of work was ended in 2025 with my exhibit and, and, and… at Greensboro Project Space.
Trapezoidal Echo I, acrylic on linen, 15″ x 21″, 2022Trapezoidal Echo II, acrylic on linen, 15″ x 21″, 2022Trapezoidal Echo III, acrylic on linen, 15″ x 21″, 2022Trapezoidal Echo V, acrylic on linen, 15″x21″, 2022untitled, acrylic on canvas, 60″ x 32″, 2022untitled, acrylic on shaped canvas, 34″ x 34″, 2022etherial intersections: a geometric ode to contemplation, acrylic on shaped canvas, 34″ x 42″, 2023translucent geometry (luminous horizons); acrylic on canvas; 10″ x 14″; 2023fragmented prism, acrylic on shaped canvas, 23″ x 19″, 2023interplay of chromatic fragments, acrylic on shaped canvas, 22″ x 15″, 2023emergent contradictions, acrylic on shaped canvas, 22″ x 25″, 2023abstract paradox I (aspirations of modernity), acrylic on shaped canvas, 23″ x 18″, 2023abstract harmonies, acrylic on shaped canvas, 29.5″ x 21″, 2023paradox, acrylic on shaped canvas, 27″ x 27″, 2023left, acrylic on shaped canvas, 55″ x 54″, 2023ambiguous, acrylic on shaped canvas, 30″ x 20″, 2024after, acrylic on shaped canvas, 62″ x 37″, 2024
Painting After Art is Dead 