Been trying out giving my update blogs a theme and this is the word that comes to mind today. I hope you’re all reading this (whoever you are) on Friday because day you are reconnecting with family, or friends if the former are not able to part of your day today for whatever reason. I am thankful for all 258 of you, for supporting my journey and making my practice real by seeing it.
One of the things I’m also grateful for is good art writing and critical discourse. I’m a big fan of Two Coats of Paint as readers will know, and this “blogazine” exists due to the immense creative energy of Sharon Butler. You should totally give Sharon’s newest release a listen- a conversation with the insightful Raphael Rubinstein. Their conversation has inspired me to re-read his important essay about a sensibility in the first part of this century which he called at the time Provisional Painting. One of the primary notions he addresses is “the impossibility of painting” and (I think) it relates to the notion I advance with the title of this blog- that Art is dead and we (painters at least) are creating in a time where this is no mission, goal, or destination.
So I wrote recently that I ran into a wall and rather than beat my head on it I let it go. First couple of images below are included because I am reflecting lately on line and edge- focusing on the things that happen as the trapezoids interact. Also some progress shots. I (sort of) war in my mind between the idea that starting a painting from a raw canvas with no sketch can reveal things I wouldn’t discover if I had a set plan, and the idea that this is some grand, heroic gesture which is pretty fraught with historical weight that I don’t wish. Which, is one of the reasons that I talk about the theme of contradiction in my practice (two ideas which can simultaneously be true). “Yes” this practice can lead to unknown and fruitful places AND unpacking the problematic portions of the predominant narratives of Modernism and abstraction generally can be important to how I position myself in society as a creative.
Also, been thinking a *lot* lately of the relationship between developing a system that generates compositions to what Sol Lewit said: