(update 8/2)
I’ve taken an interest in the cubes as proxies for brushstrokes (they have 6 sides so each can be presented quite a few ways), and in stacking them as analogous to the way I create compositions. But perhaps more than anything, I’m intrigued by the idea that each installation of them could be a unique, here-then-gone experience, especially since the experiential element of art- the quality of viewing the same- is of the most interest to me in my practice.
Painting After Art is Dead 