Wide Walls gave Holly some love in their article about minimalists to collect in 2019. Was interesting to check out her site and zoom in on a few of these- I think the fact that’s she’s channeling Ryman is why her work stood out to me in the article above.
Found via Widewalls, wow. I need to see these! Isn’t it cool how she also likes to photograph clouds? You should read some about her investigations of color- in her own words.
Hyperallergic is another recent find for me- as is Marcia (apparently as you’ll read in this article, I’m not alone). I am not usually drawn to minimalism for its own sake, either visually over intellectually, but these caught my attention. It was interesting to find out after questioning the initial attraction that one of my biggest inspirations, Robert Irwin, was one of Hafif’s instructors at one point. I hope I get to run across these at some point. While I certainly enjoy a good bit of painting that considers itself conceptual, I tend to be drawn to work that is primarily concerned with formal investigation, which is of course a concept in itself. I think the key distinction is that the impetus of the type of work to which I’m referring points to itself in the end (as the writer puts it, “they offer complex visual, intellectual, and emotional experiences.”). I would encourage the reader to also Google for images of other paintings made by Hafif, she certainly explored several ways of creating these experiences.
Not sure how I ran across Widewalls but I appreciate how they have enriched my RSS feed. A recent discovery there is Matthieu Venot, a French musician turned photographer. His photos remind me of Dibenkorn’s obsession with the light in the Bay Area (except Matthieu lives in Brest). His attention to the moment shows there is always #abstractionallaroundus.