Project Type: Paintings I made

(final 8/2)

I got super interested in texture after finishing this piece (on burlap) and am taking a different approach with this one (on linen, a super fine alternative to the heavy weave of burlap) which got under way at the same time (and is now also done).

First image is a study I did to see just how thick I could get with some acrylic gel and still get the texture of the burlap… second pick shows how physical this substance is. The drawing was a freestyle directly onto the canvas which I haven’t done in a while (and probably won’t repeat).

I also thought a lot about the idea of the composition and materials feeling Modernist and letting the palate- while still “retro”- harken to later in the 20th Century.

(final 8/2)

This one is based on the study in the first image, and is (sort of) a follow up to the last medium sized piece I did which, I think, demonstrates that stopping the compositions at the edge of the canvas is arbitrary and has a cropping effect that wasn’t adding to the work (and that conversely, a grouping of cubes/shapes implies dimension more strongly if you can see its outer “edge”). I did the composition drawing on a sheet of acetate so it could be oriented as it fit best (via projector) onto this piece of muslin, which will be the color of the grid lines. I am finding that I can still free-style drawings before starting to paint, giving myself the optionality to do some editing, and still have plenty of ability to make choices “in flight.”

(final 6/24)

The blocks have helped me realize that the way I was treating the edge of the canvas was sort of like cropping or masking something larger, and was completely arbitrary. So, I took an older sketch, transferred it to transparency, fired up the projector and started on this journey utilizing the color study that is the first image.

Untitled, acrylic on canvas, 34″ x 34″, 2020

(update 5/4)

I’ve written, and talk, about the act of making choices- reacting to what happened previously- as a subject of my work. It’s occurred to me that this can include taking parts of a composition that I like the most and doing something new them.

The first image below was the original study to see what that approach might look like if I considered these selections to be distinct works, and also re-explore some notions I’ve had that edge of a rectangular canvas can be somewhat arbitrary for this compositional strategy. The middle piece is my first attempt at mounting one on panel, suspended off the wall to create shadows of the object that also relate to the cubes themselves.

More to come- I’ve got 4 other prior canvases stripped off their stretchers…

untitled, acrylic on canvas on board, 18″x23″, 2020

(final 6/23)

As I was working on the final stages of this piece, I solicited some input from George McKim, who offered a few suggestions in the form of edits to the image I sent him (the first image below). I hadn’t really paid attention before then to how both of our drawing/compositional strategies often had cubes in common. I suggested that his edits made me think we should try to work through the process of collaborating, and so the piece below began, in my studio.

George also made a video of how the first stage of his input has taken shape. Last image below is the most current state.

(final 3/23/19)

As I began to start on a new, small piece based on things I liked about the collage and drawing pictured first, I fired up the overhead transparency projector to transfer the drawing to a canvas. I did so with a yellow watercolor crayon and, while the visual impact is hard to pick up in the second image below, I was immediately drawn to the subtlety of the yellow cartoon on the beige, raw canvas. Some studies have ensued as a result, so stay tuned for more there.

Anyway, going with purple undertones and some taping, and using my surface to sketch a bit as well which is new… I’ve also been thinking a lot at the mark making in the fourth image.

Clearly this one has taken on a retro-’80s palette.