Ignore the edge

(final 8/2)

This one is based on the study in the first image, and is (sort of) a follow up to the last medium sized piece I did which, I think, demonstrates that stopping the compositions at the edge of the canvas is arbitrary and has a cropping effect that wasn’t adding to the work (and that conversely, a grouping of cubes/shapes implies dimension more strongly if you can see its outer “edge”). I did the composition drawing on a sheet of acetate so it could be oriented as it fit best (via projector) onto this piece of muslin, which will be the color of the grid lines. I am finding that I can still free-style drawings before starting to paint, giving myself the optionality to do some editing, and still have plenty of ability to make choices “in flight.”


Author: sterlingsart

abstract painter living in Raleigh, NC- follow my blog to help build my mailing list!

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