Travis Jeppesen’s 2019 essay “Queer Abstraction (Or How to Be a Pervert with No Body). Some Notes Toward a Probability” asked whether nonrepresentational art could ever be understood as queer or nonbinary. Curator Tomek Baran took Jeppesen’s question as the starting point for “WOW,” an exhibition that brings together works by Marta and Grzegorz. Both artists escape classification, making use of seemingly spontaneous and yet exacting gestures that situate their paintings, textiles, and installations somewhere between construction and destruction.
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Painting After Art is Dead 